An excellent addition to any music lover’s library. Some gamers will be reminded of fond classics, while others are bound to appreciate it just based on its atmospheric merits. Where it lacks the dramatic flair of say, a Square-Enix album, Rogue Galaxy’s soundtrack is a gem all its own. With the assistance of Barbara Kessler, Yayoi Ono, and Katsuyuki Yamasaki on vocals, Nishiura has managed to create a true classic. Rogue One: A Star Wars Story, eller bare Rogue One (oprindeligt annonceret som Star Wars Anthology: Rogue One), er en amerikansk science fiction-film fra 2016 med instruktion af Gareth Edwards og manuskript af Chris Weitz og Tony Gilroy efter en ide af John Knoll. The composer Tomohito Nishiura worked before on both soundtracks, and here he again displays his talent for creating a diverse, engaging sound that takes the listener on an adventure all by itself. However, as background music, it serves its purpose quite well, and the album is a general treat.įans of Dark Cloud and Dark Cloud 2 should be most familiar with the album’s sound. Certainly, one of the album’s shortcomings is that much of the music is atmospheric and so may not be suitable for regular listening outside of the game’s context. Some like “Factory (In Production)” just don’t inspire the same feeling as the rest of the album. Only a few of the tracks actually come across as weak on their own. Tracks such as “The Holy Valley” are excellent examples of this roaming element, making it a perfect accompaniment if you are in fact travelling at length on the train or going on a long walk. I have to reiterate that a majority of the album serves to create a depth of atmosphere, giving the impression that you’re actually travelling somewhere or experiencing something as you listen. Tracks like “A Road to the Ruined Castle” and “Varkogu’s Theme” reminded me a great deal of Skies of Arcadia’s stellar soundtrack, though I’m sad to say, lacking the same punch. Most of the OST is atmospheric music, taking the listener from one locale and situation to another.
It’s subtle, but a nice change from the regular take. There’s definitely more body to the unrecorded version, giving it a lull that proves very soothing. The unrecorded version doesn’t seem that much different from the one used in-game at first, but the beat is far more relaxed and feels like something you could daydream to.
The OST features 61 tracks, including an arrange of the game’s vocal ending track, “Dreaming My Way Home” performed by the talented Barbara Kessler. Canonically, the Death Star is powered by kyber crystals, as well - which might make it particularly significant that the daughter of the man responsible for the creation of the superweapon is wearing a crystal around her neck.30 – Dreaming My Way Home ~ Unrecorded Versionįeaturing a tempo reminiscent of games like Skies of Arcadia and Star Ocean: The Second Story, Rogue Galaxy’s soundtrack may come across to some as an inspired, familiar sound, to others as a fresh note of high adventure. However, there’s another part of Star Wars mythology that suggests that Jyn might be wearing a kyber crystal, as well as explaining why the Empire is on Jedha in the first place.
Rogue one soundtrack analysis movie#
There are reasons to believe that this is the case Jedha, the planet at the center of Rogue One, has already been revealed to be the planet where such crystals are mined, meaning that the movie is already concerned with the crystals in some form, which is only understandable - after all, it’s kyber crystals that power lightsabers, according to the mythology of the franchise. The Imperial Suite, OST ROGUE ONE Michael Giacchino - Hope, Michael Giacchino - Jedha Arrival OST Rogue One: A Star Wars Story, OST ROGUE ONE Michael Giacchino - Your. The sequence of an X-Wing coming out of hyperspace into the fleet is one of the best in a beautiful-looking movie. What if that’s not just any crystal, but instead a kyber crystal? A great Star Wars film needs a good space battle, then, and Rogue One brings it. Instead, focus on the pendant Jyn is given by her mother something so important that we see it in the next scene, as the adult Jyn (Felicity Jones) ponders her fate. It’s not what her mother says in that brief moment that’s so telling, although hearing her say “Trust the Force” does raise the possibility that Jyn can use the Force, which would make for an unexpected - but, no doubt, thrilling - climax to the movie.
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